Blancmange – Mange Tout Deluxe Edition (Edsel Records)
3 x cd
4 August 2017
8.5 / 10
The second deluxe release of electro bands first three
albums.
Following the eclectic debut Happy Families was always going
to be a hard task in the wake of chart success in the form of Living On The Ceiling
and Waves. The cleverly titled Mange
Tout turned out to be Blancmange’s most successful spurning two top 10 hits with
Don’t Tell Me and Blind Vision as well as other hits That’s Love That It Is and
The Day Before You Came.
With Mange Tout, the rough edges of Happy Families had been
firmly smoothed to a more pop oriented sound mainly attributed to John Luongo
(The Jacksons, Sly Stone, Gladys Knight) who produced most of the album. Blind Vision gave us the almost iconic bass
driven Blancmange sound and, from the opening seconds it is instantly recognisable
as their own. The funky guitar of David
Rhodes and remarkable percussion from Bashira Johnson helped give the track a
frenetic feel with a synth riff perfectly pairing up to the powerful sound of
The Uptown Horns. Neil Arthur’s vocals,
often seemingly shouting and Stephen Luscombe’s clever synth programming
resulted in one of the bands most popular tracks to this date.
Opening track, Don’t’ Tell Me was the albums third single
and climbed to number 8 in the charts.
It was poppy and catchy and maybe came the closest to repeating the
Eastern sound of Living On The Ceiling with the return of Pandit Dinesh (tabla)
and Deepak Khazanchi (sitar) adding an authentic sound. The single had a towering chorus and dance
feel which catapulted the single into the media sights. Added ‘weird’ effects including a tonally increasing
dub effect and Arthur’s high pitched murmuring embossed the bands slight peculiarity.
Where Mange Tout excelled was in the quality of tracks away
from its singles. Game Above My Head
became a live favourite and the incredible sound of Murder gave a peak into
their darker sound and side which would become prevalent in their ‘second
coming’ with 2011s Blanc Burn. Bobby
Collins and David McClymont added some great bass work to each track
respectively. It seemed that Blancmange
had gone from their quirky debut long player to an even quirkier follow up but
with added pop sensibility.
That’s Love That It Is remains one of their finest
moments. It’s often psychotic,
over-the-top bombardment of sound and vocal really shouldn’t have worked but it
did, and with great success. Despite its
low chart placing, it became an alternative classic and testament to the duo’s insistence
on making powerful, grown-up music.
The eclecticism of Mange Tout is added to by Time Became The
Tide and See The Train. The former with
a beautiful backing from a classical quintet of violins, viola, cello and flute
and, the later consisting merely of a bank of Arthur vocals made to sound like
several versions of the singer. A cover
version of Abba’s penultimate single, The Day Before You Came closes the album
and an accompanying video featuring an endorsed clip from the Swedish super
group appears to show Agnetha Faltskog sitting opposite Neil on a train.
The De Luxe version of Mange Tout then comes into its own
with longer versions of three tracks on disc one together with Vishnu which
would later see Luscombe form The West India Company and a Martyn Ware demo of
Blind Vision. Disc two contains fourteen
tracks again featuring extended versions and demos. The demo of Murder is particularly
interesting as a raw and preliminary piece and goes somehow to show how the
track evolved. B-sides are also present
with Get Out Of That showing the slightly offbeat and humorous side to the
band.
With a David Jensen session from 1983 on disc three and a
twelve track live performance from the Hammersmith Palais in 1984 containing
much of Mange Tout another chapter comes to a close. The harsh sounds of Happy Families were
trimmed and a more accessible pop friendly sound had emerged whilst keeping the
distinctive uniqueness. A great album
made greater by unmissable additions.
Published on Louder Than War 30/07/17 - here
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